The Boss DD-20 Digital Delay offers more User memory and the longest delay of any effect pedal -- up to 23 seconds! Delay time can be quickly set using the push-button knob or via tap tempo. And with a choice of 11 modes -- including new "Smooth" and "Twist" delays and sound-on-sound recording -- this Twin Pedal raises the bar for delay effects.
In addition to three delay time modes, a Delay Time control is furnished, giving you speedy, precise adjustment of delay time continuously within a range of 12.5ms to 800ms.
The DD-6's stereo input makes it possible to achieve true stereo delay and panning effects. It also lets guitarists and bassists connect the stereo output of Boss's BF-3 Flanger right into the DD-6 — keeping a true stereo signal path. Enhancements include built-in tap tempo capability and a delay/hold time of up to 5,200ms with sound-on-sound recording. A new Reverse mode makes it easy to get trippy 60's and 70's-style effects, while the newly designed Warp mode creates radical delay effects on the fly.
The RV-5 offers 6 of Boss's best reverbs ever — in stereo. This makes it possible to connect after other pedals that feature stereo outputs. New reverbs include convincing spring reverb emulation and a high-quality gate reverb. More spacious reverb sounds can be had using the newly developed Modulate mode. And thanks to its dual inputs, the RV-5 even works for keyboard players.
Cool vintage tape effects. The warmth of all-tube echo with the convenience of a pedal. Hi-cut control cuts high frequencies on repeats — perfectly simulating the tone of a 60's era tape echo. The warmest sounding echo/delay around. Studio Quiet. Play it and you'll buy it!
The DigiDelayo pedal gives you loads of delay time, with up to 4 seconds of delay available. This is more than is found in many studio-quality, rack-mounted delay processors. And that's just the beginning! The DigiDelayo also lets you select various delay types such as stereo ping pong and tape delay, and other phat delay sounds.
The DigiVerbo pedal gives you an incredible selection of reverb types to choose from. These include a Spring reverb that sounds so real that you can almost hear it rattle inside the box. Different Plates that put excitement in your snare or vocals, and Rooms and Halls that breathe warm space and air into any instrument.
Divine reverb for mere mortals Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal. Priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference.
Just what is so great about the MD-3? Quite simply, it offers the most authentic note reproduction of any delay device available, period. Notes come back exactly as you played them: Not rounder, harsher, warmer, colder, or altered in any manner whatsoever.
Add new dimensions to your sound with the DE7 Delay/Echo pedal. Get the best of both worlds: high-tech digital sounds comparable to expensive rack units or warm vintage tape echo sounds s all with a simple flick of the switch. Time, Repeat, and Level controls help you dial in just the right amount of delay, while stereo outputs can be used for more spacious sound. With a range of 30ms to 2.6 seconds, the DE7 is the only sound solution for every playing situation.
The Line 6 stomp boxes are the first great sounding professional guitar effects pedals designed to deliver a wide range of cutting edge and legendary effects tones in a programmable stomp box format.
Synchronizing a dream collection of classic effects has been a hit or miss (mostly miss) process. Now, the rhythmic possibilities are endless. Just tap a tempo to set the groove of your Tube Echoplex to a dotted eighth, let the Obi-Wah throb a quarter note while the Flying Pan undulates a half note triplet. You'll find your ears reelin' in time and your toes doing that poly-rhythmic twitch that can only mean you've created another masterpiece. Ain't life grand?
The Replica utilizes truly amazing circuitry to create the most amazing delay. Unlike other digital units that use a DSP chip to sample at 44.1 kHz, the Replica uses 2 Burr Brown 24-bit converters (1 Analog to Digital; 1 Digital to Analog) to sample at an unprecedented rate of 200 kHz! In order to maintain full dynamics, the signal is routed from the input ADC directly into RAM, where it is manipulated (according to the unit's settings) and then routed directly to the Output DAC. The circuitry is entirely analog, with the exception of the 24-bit converters and RAM. An input pad switch can be engaged (attenuation of -10 dB) for studio use.
The Yamaha UD Stomp is an innovative guitar effects stompbox that provides the ultimate in modulation and delay. This incredible guitar effects processor is like having 8 of the world's finest rack mount delay units in one rugged design.
